There is a fundamental change in philosophy in public facilities such as art galleries and museums being globally embraced. In the last decade architects attempted to make buildings less about public function and more about their own personal stamp and message. That is evident in Gehry’s Museum of Pop Culture in Seattle which has been called “the unusual-looking building made of curves instead of corners and infamously described by a New York Times architecture critic as “something that crawled out of the sea, rolled over and died”.
Frank Gehry-Museum of Pop Culture
This also happened in Toronto. The Globe and Mail article written by Alex Bozicovic details the not so subtle attempt of Toronto’s Royal Ontario Museum (ROM) to “fix” the starchitect Daniel Liebskind “Crystal” addition which opened in 2007. As stated by the museum’s CEO, “After you’ve lived somewhere for a while you begin to think…
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